The
Illustrated Longitude
______________________
Sometimes
I get depressed that I will never invent a marine chronometer.
I came to Madison for law school
in 1995. This was a year or so after I’d gotten skinny, and I hadn’t yet
adapted to the idea that I could be considered good-looking, or popular. Good-looking, popular, and, although I didn’t
know it yet, being capable of designing and building a marine chronometer, were
things I had always wanted to be.
There is a thing in me that will
not let me read things without wanting to experience those things. This happens
most often with things that I think could be done with a minimum of effort,
and, usually, cost, although cost factors into these things less than the
effort, and the need to do them. The
(partial) list of things that I have wanted to do after reading about them
includes:
n Grow
superhot chili peppers.
n Raise
pigeons
n Raise
chickens
n Play
bagpipes
And, of course, build a marine
chronometer.
Longitude is
about a man who built a marine chronometer and one of the things I like about
this book is that I get to be the kind of person who says things like it’s a book about the guy who built the
marine chronometer and then, when people look at me as though I am the sort
of person who says things like that, I have the opportunity to add that it is
more interesting than one might think, or tell the story that I think opens the
book about how the Royal Navy once ran aground because nobody knew how far east
(or not) they were, and it turned out they were a lot more east than they’d
imagined.
Longitude is also
partially the story about how hard it is, period, to figure out whether we are here or there when here and there are synonyms for east and west. I found it sitting on
the shelf at the UW Bookstore down on the library mall, and something about the
old-timey cover of the book, as well as the title, made me stop and pick it up.
That might have been the start of my fascination with science, and
anything that sounds vaguely scientific or mathematical, or at least that
fascination was in its nascenscy at the time. I had only a year earlier taken
the course in astronomy which (I have liked to say for more than two decades
after that) might have, had I taken it earlier in my college career, led me to
be an astronomer.
The story of astronomy that I
tell, and it might be the truth, is this: I tell people that throughout my
undergrad years at the UW-Milwaukee, my advisor kept nagging at me to take
astronomy. This is how I remember it. I
also remember that advisor tell me that I would not get into the University of
Wisconsin Law School. Both of those
memories may or may not be true. I distrust memory nowadays. I am, as I sit
here, 46 years old, three weeks before Hallowe’en in 2015, not sure how much I
remember about my life, let alone how many of those memories are accurate, rather than invented,
distorted, edited.
But they are my memories.
Memories, in that way, are like
nonfiction: we can’t be sure how much of it is true.
The importance of the Astronomy
Memory is that I get to say to people how for years my advisor had been saying
that I should take astronomy. Political
science majors had to take a certain amount of natural science credits, and
each year I would go to my advisor to ask what credits I should take to
graduate on time, ‘on time’ being ‘by the time I was 25.’ She would suggest astronomy and I would say no and then we’d go about our semester.
Senior year, 1994, I took
astronomy in the fall semester, and loved it. I found out, for example, why
every year in the fall the UW-Milwaukee campus had little bowling balls or
marbles or whatnot labeled after the planets scattered around it: it was to
demonstrate the relative size and distance of the solar system. I saw the
professor dump liquid nitrogen from a container right in front of me – I sat in
the front row of that class – and it evaporated, or sublimated, or something,
before ever hitting those students up front. I learned constellations and red
shifts and really probably a lot more but that’s all I remember.
I loved that class. I found it
phenomenally interesting and studied hard for it and for the next 21+ years I
would tell people that if I had taken the class earlier in my college career, I
might have become an astronomer.
(There are no astronomers,
according to a website I read a while back. They are all astrophysicists, now.)
That might have been the
transition between my blaming everyone else for all the things I didn’t know,
or do, or experience, to blaming myself: the story I told about astronomy. For most of my life, I said things like if I’d had good high school teachers who
made the subjects interesting I might have studied harder or loved something
more or been something different.
That is a fancy way of saying people
should make me do better in life, and I don’t say that anymore. Now, I say that if I’d been more motivated
and studied harder and paid better attention I might have been an oceanographer
(as I once dreamed) or perhaps astronomer or anything other than what I am at
the times I am dissatisfied with what I am. I have come to realize that I am
the reason I am what I am. Maybe it would have been easier to be a different
version of me if I’d had more help: if I’d had, say, a trust fund or parents
who didn’t spend most of my childhood fighting or if I hadn’t been fat and had
a lazy eye and shy or if we’d lived in New York City or if if if if if if but
also lots of people have those things and yet they invent games or become astronauts
or write bestsellers or simply do what they want.
So I could have, too, and it
didn’t matter if Ms. Kaiser in 11th grade or whatever hadn’t been a
scintillating physics teacher. It mattered that I hadn’t bothered to understand
that the teacher isn’t as important as the student. Life is what you make of
it. Maybe that was another lesson I
learned from the man who invented the marine chronometer, three times.
I recall seeing the title and
picking up the book. I don’t usually read nonfiction. I like to say that life is nonfiction, so why would I need
to read it, but that’s not even a good thing to say. It’s not like all nonfiction is The Sims; it doesn’t just imitate or spit back the life I lead. (I recall the time one of our
kids tried to teach me to play Sims on
the computer. After creating my avatar, I asked her what I had to do next. She
said I had to get a job and use my money to get a house and furnish it. I said I’m already doing those things and never
played again.)
Nonfiction just seems less
exciting to me than fiction. Telling me
that something is nonfiction makes me
not like it, right off the bat, or at least like it a little less. Which makes it sort of weird that I found Longitude in the first place, since it’s
unlikely I was in the nonfiction section.
The copy of Longitude I bought 20 years ago was one of the books I sold, back
when. The copy I have now is an
illustrated guide my mom gave me for Xmas one year. I used to leave it on an endtable, with the
fancy dust jacket on it, back when I left books out for people to see when they
came over, which was also back when we had the occasional knickknack in the
house, and pictures on the walls, and people over. Those things have, for us, gone the way of
the 1990s themselves, exiting only in the past.
I no longer have the dust jacket, either. Just the book, with its plain
green cover.
I’ve never actually read the illustrated version of the book. Longitude
was one of the books I read only once, and having read it before getting
the copy of the book as a gift, I never read it again. There didn’t seem to be
a need to. I used to re-read books all the time, when I was younger. Back then
I had more time to read, as a result of not having many friends and not being
very social and never having anything else to do. There are books I bet I’ve read 5, 6, 7 times
in my life, which doesn’t seem like a lot, but a book is a pretty hefty
investment of time. A book, straight through,
would probably take five or six hours. In fact, I know it would, if not longer,
for a couple of reasons. First, I listen
to audiobooks a lot, now, and they all take 5 or more hours to get
through. (I listen only to the unabridged version of books. Why would I
want to listen to the abridged
version? Who wants to read, or listen to, part
of a book? What is the point of that?)
Secondly, not very long ago I
spent much of the day re-reading Spellsinger
by Alan Dean Foster, another book on the shelf. I was reading it for
reasons I don’t fully understand. I was in an argument with Sweetie and left the
house angry that morning, taking with me my phone and laptop and the book Spellsinger, which I then read most of
while sitting in the car; I got about 75-80% through it just in the morning,
with the gray day around me while I sat in my tiny car on the side of the road
near where we used to sometimes go walking, during her lunch, when she used to
work at a firm near Lake Monona.
If a book takes so many hours to
get through, to re-read a book requires that the book be one worth re-reading,
and also that you have enough time to do so.
I never feel as though I have enough time to re-read books, these days:
I get maybe 1 hour a day to do what I want and most of the time I am too tired
to read anything more thought-provoking than Gawker, so re-reading books is not high on my list of things to do.
But even back when I could go
back and revisit a book I’d read, I don’t think I’ve ever done that with
nonfiction books. Certainly not Longitude. I’m not even sure why Mom gave it to me as a
gift. Probably because I’d mentioned it and/or told her how much I’d loved it.
I did love it; it was a great book, very interesting, at least the 1/20th
of it I remember now.
The parts of Longitude I remember are:
-- The navy
running into the coast.
-- The
thing about how they used to use ‘powder of sympathy’ to try to tell their
longitude, by stabbing a dog in London, or at sea, or both.
-- How
George Harrison built several models of the chronometer but still didn’t win
the big prize.
-- How it’s difficult to build a clock that will work at sea what with the pitching of ships as well as the different humidities and all.
-- How it’s difficult to build a clock that will work at sea what with the pitching of ships as well as the different humidities and all.
-- The part
about how sailors had eye patches because they had to use a sextant to gauge
their position which required them to look up directly at the sun.
That’s not all that much, even
for such a short book. There has to be more to the book than that, I figure..
I expect that Mom gave it to me
for the same reason almost all presents in my family were picked out: because
it was something they knew about me. In our family, once you learn a fact about someone, you run with it.
You give gifts centered on that fact that you know. For example, before I went
to law school I bought a Curious George t-shirt.
I wore it around my family once. Then, during law school and after, I was
gifted a series of monkey-themed presents, including a monkey Beanie Baby, a
“See No Evil” lamp that I still kind of have, I think, and two ceramic statues
of monkeys dressed in American Revolutionary War garb. I really liked those last two, which used to
sit on a shelf just inside the door of the first apartment Joy and I ever
shared. I don’t know where they are anymore.
But that’s how gift-giving in my family worked: if you knew a fact about
a person, you built a persona around it and forced the person to be that fact. It is why my dad used to
give presents themed like snowmen to Joy: he noticed that she had bought some
ornaments based on snowmen made out of Smores. It was why my family gave me a
telescope and subscription to Astronomy magazine
as a law school graduation present: because I’d mentioned that I liked
astronomy class.
This began with my mom and the
elephants. Everyone gave my mom elephant-themed gifts, mostly just actual
elephants of various sizes. This is because of a dream she had when she was a
little girl, she always said. She told her father about the dream, which
featured a tiny pink elephant. Her dad,
she said, then would from time to time bring her a stuffed elephant or a toy
elephant or something, and ask is this
the elephant you saw? It never was, but over the years more and more people
got into it, and gave her elephants of varying shapes and sizes and makes and
models. I did the same; when I went to Morocco in 1994, I spent much of my
souvenir-shopping time looking for a fil
kbir, or big elephant. I finally
found one, too, in Fez, down a long winding set of alleys in a tiny back room.
I had been asking for a fil kbir at
various stands in the woodcarving section of the suq, and nobody had one big enough. One shopkeeper asked me to
follow him. So I did, because I was stupid.
This didn’t end badly, but it was kind of dumb nonetheless, to just
wander after somebody away from your group in a strange city where you speak none of the operative languages better
than simply the ability to order a coffee. Coffee, in Arabic, is quhwa. Coffee, in Morocco, is drunk in
tiny cups like espresso. I grew used to that because I grew tired of trying to
order quwha kbir.
I followed him, and he led me
through the tents in a winding ranging walk, then down an alleyway, then down
another. I was lost by then, and also wondering if I was going to be mugged or
maybe killed or both, although both shouldn’t
matter much: if I had been killed I
probably wouldn’t care much about having been mugged, too.
The guy finally stopped at a
small door, which he opened and beckoned me in. Inside it was pitch black, or
so I thought. I stepped inside (again: I am stupid, and also I was too afraid
to look like a coward in front of this guy). It was so dark I couldn’t see the
walls. A brilliant shaft of sunlight came through a hole in the roof, and a man
was kneeling in the near-dark. The two
Moroccans talked quickly, too quickly for me to catch anything other than fil kbir, but after a bit the man
kneeling in the dark took some wood and began whittling and hacking at it with
a knife. In less than 15 minutes,
standing in the close, stuffy, overly-hot, nearly dark room, he had carved an
impressive fil kbir, nearly as big as
my torso, and had started staining it. I had to wait while the stain dried
enough for me to carry it. I made what
small talk I could with the men, with their limited English. Then we went back
to the booth and I paid for the statue, which I would lug in my suitcase for
four more weeks before bringing it home to Mom.
I don’t know where that fil kbir is now. I think it was in her
house after she died, six years ago, but I didn’t take anything of hers (other
than the life insurance money she left me to pay back money I’d lent her over
the years). I sometimes wonder what happened to it. It was probably thrown out
by my stupid siblings, who had no idea that (in my mind, at least) I had nearly
died getting that statue for mom.